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Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonc exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures--a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers C cile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. Brooks is in conversation with Lynell George, and also curated a companion playlist to Liner Notes, which you can listen to here:   https://open.spotify.com/playlist/5pPpJViwMlAjvxsMymDDWv?si=mTt4sXj9QqK6qHQtTixH7Q _______________________________________________  

Produced by Maddie Gobbo, Lance Morgan, & Michael Kowaleski

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

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