The Show Must Go On!
A discussion with Deborah Vandergrift, Chief Production Officer at the Shakespeare Theatre Company on the role of managing productions as projects in the performing arts...and her own discovery that she was doing what we call "Project Management." Do you have comments or thoughts about this episode? Join the discussion on our Facebook page at www.facebook.com/PMIWDC Project Management Point-of-View (PM-POV), a podcast series produced by the Washington DC Chapter of the Project Management Institute, allows our membership and the public at large to listen to brief and informative conversations with beltway area practioners and executives as they discuss various perspectives on project management-- its uses, its shortcomings, its changes, and its future. Listens can send comments and suggestions for topics and guests to: pm-pov@pmiwdc.org. PDU Information You can earn 0.25 Category "A" PDUs for each PM-POV podcast you listen to! Use the following information in PMI's CCRS system to register the PDUs for this podcast: PDU Category: Cat A: Registered Education Provider/PMI Component Activity Type: "Find an Activity" Provider Number: C046 Activity Number: 06252014PC » More PM-POV Episodes About the Speaker Deborah Vandergrift The Shakespeare Theatre CompanyChief Production Officer Ms. Vandergrift has worked in production management at Washington DC’s Shakespeare Theatre Company for the past seven seasons. At STC, she helped develop new approaches and standards necessary in operating the institution’s expanded programming and venues. She has been instrumental in facilitating the presentation of several remarkable productions from abroad, and she is a key member of senior staff, participating in strategic planning, season planning, and budgeting. Prior to her tenure at STC, Ms. Vandergrift was the production manager for Hartford Stage. She has project managed for various music and arts festivals throughout the US. Ms. Vandergrift’s early career was fifteen years as a professional stage manager, working with a rich variety of artists at both domestic and foreign venues. She earned her MFA in Stage Management from the University of California, San Diego and a double major in English and Theatre from Oberlin College.
