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We mark the death on May 2, 1864 – 158 years ago today – of the German-born opera composer Jacob Liebmann Beer, also-known-as Giacomo Meyerbeer.  Born in Berlin on September 5, 1791, he died in Paris during the rehearsals for the premiere of his opera L’Africaine – “The African” – which turned out to be, no surprise then, his final opera.   Let us get to know Herr/Signore/Monsieur Meyerbeer a bit even as we explore the tremendous popularity of his operas, the reasons behind that popularity, and the reasons for their fall from popularity!   No Exaggeration: As Popular as Elvis Incredible though it may seem to us, here today, Meyerbeer was the Elvis Presley of nineteenth century opera.  Not that he was a pelvis gyrating,  groupie groping “rock star” as we understand a rock star to be today, no; but in the world of nineteenth century opera, he was the most popular musician of not just his time but of his century: the single most frequently performed opera composer of the nineteenth century.  In terms of his singular international fame and his income, Meyerbeer was – more than Gioachino Rossini, more than Giuseppe Verdi, more than Richard Wagner –the […]

The post Music History Monday: Giacomo Meyerbeer and French PopOp first appeared on Robert Greenberg.