Documentary All Light, Everywhere Examines the Limits of Police Body Cameras—and Our Own Perceptions
Near the beginning of Theo Anthony’s inquisitive and ambitious documentary All Light, Everywhere, an unseen narrator issues a caveat that both goes without saying and needs to be said: “Every film is in part an autobiography, because every image has a frame. And every frame excludes a world beyond its edges. And yet, when we understand something, we still say, ‘I see.
