Ozark Season 4 Cinematography (with Shawn Kim) GCS300
OZARK returns for its final season with a new cinematographer - Shawn Kim. Learn how Shawn evolved the show’s iconic cool-blue look while getting darker with each episode.
Shawn and Go Creative Show host, Ben Consoli, discuss the psychological effects of lens focal lengths, the complexity of lighting day exteriors, how to keep cinematography fresh and interesting, plus so much more!
What you will learn in this episode
- Finding work during COVID (01:08)
- Evolving visual approach to OZARK (05:44)
- How focal length affects audience perception (13:12)
- How OZARK is a filmmaker's dream (18:31)
- Lighting daytime exteriors completely artificially (22:19)
- Fresh filming approach to the Byrde's home (29:44)
- Why the Sony Venice was the best choice (35:07)
- Psychological approach to cinematography (40:20)
- Creating OZARK's signature blue look (45:01)
- Memorable scenes in season 4 (50:40)
Challenges of shooting in rainstorms (56:26) - And more!
Go Creative Show is supported by:
Use code GOCREATIVE10 for 10% off a membership
Subscribe + Follow Go Creative Show
Show Links
- OZARK IMDb
- OZARK on Netflix
- Leica Noctilux-M 50mm f/0.95 ASPH., black anodized
- Building Rialto - 3 VENICE Extension System Sample Builds | Sony Cine
Follow Our Guest
Follow Ben Consoli
Follow Connor Crosby (producer)
Follow Dave Siegel (sound mixer)
