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In today’s episode, we interview Michael Franks, television cinematographer for Nickelodeon's reboot of the 90’s show, All That. Michael shares stories from his early career at Saturday Night Live and how it prepared him for All That. Plus, insight on the grueling work schedule needed for a weekly sketch comedy show, lighting over 70 sets in 5 weeks, and the challenge of lighting for multiple cameras. Michael also shares his prefered camera and lens packages for the show, important skillsets for multi-camera cinematographers, and much more! Subscribe Now! What you will learn in this episode Why Michael started his career as a photographer How Michael transitioned from photographer to filmmaker Michael’s early career with NBC and Saturday Night Live How Michael worked for 56 hours in just 4 days at Saturday Night Live Michael shares how he lit over 70 sets in a span of just 5 weeks at SNL Michael’s cinematography work on Nickelodeon's reboot of All That How Michael uses his experience on SNL as the cinematographer of All That What equipment Michael’s team uses to ensure a successful multi-cam shoot How Michael faces the challenge of lighting for multiple cameras The camera and lens packages for All That Creating the look and color of All That Important skillsets for multi-camera cinematography Michael’s work on Amazon’s Sigmund and the Sea Monster And more! Show Links All That Bed Bath and Beyonce Jonas Brothers' performance The Go Creative Show is supported by: Premium Beat Rule Boston Camera Hedge Shutterstock Magnanimous Rentals PremiumBeat.com Song of the Week Our Digital World by Crescent Music Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio Follow Our Guest Michael Frank's website Michael Frank's Instagram Michael Frank's Twitter Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter