Wildlife Cinematography for Netflix's Our Planet (with Matt Aeberhard) GCS184
Matt Aeberhard, wildlife cinematographer for Netflix's Our Planet, shares his secrets to capturing the breath-taking shots as seen in the docu-series. Matt and Go Creative Show host, Ben Consoli, discuss what life is like for a wildlife cinematographer, how he trudged through thick swampy jungle with expensive camera gear, ensuring you get the wildlife shots you want, why the Birds of Paradise sequence took 6 weeks to film, advice for aspiring wildlife filmmakers, and more! Subscribe Now! What you will learn in this episode The life of a wildlife cinematographer Trudging through a thick, swampy jungle with camera gear Ensuring you get the wildlife shots you want The logistics of wildlife filmmaking Filming the Birds of Paradise for over 6 weeks The challenges of filming Orangutans up in the trees Matt’s camera and equipment choice for shooting in the jungle Why Matt uses Canon’s 50-1000mm lens Matt’s DIT media workflow The dangers Matt faced while filming wildlife Advice for aspiring wildlife filmmakers And more! Show Links Our Planet - Netflix Our Planet - Instagram Our Planet - Twitter The Go Creative Show is supported by: Premium Beat Rule Boston Camera Hedge Shutterstock Magnanimous Rentals PremiumBeat.com Song of the Week With You All The Way by Ben Beiny Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio Follow Our Guest Matt Aeberhard's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Matt Russell Gain Structure Sound Twitter