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Rodrigo Prieto is the Oscar-nominated cinematographer behind films such as “25th Hour,” “Brokeback Mountain” and “Argo.” In recent years he has worked with filmmaker Martin Scorsese on projects like “The Wolf of Wall Street” and “Silence.” This year they have “The Irishman,” which, on a technical level, was an absolute beast to tackle. On this episode of “The Call Sheet” you’ll learn about the R&D that went into developing a proprietary camera rig to allow visual effects artists to “de-age” the film’s stars to play through a series of decades. Prieto also discusses his game plan for visually representing the three distinct time periods of this mammoth 3-and-a-half hour opus.